So what was Hoskins' Landscape story?
If we dissect his thesis—based on the state-of-the-art of the day—then
it is this. The making of the English
landscape begins to all intents and purposes in the historic period: the
prehistoric, indeed for large parts of England even the Roman, contribution was
minimal. Hoskins argued, for instance,
that it was the Anglo-Saxons who undertook the clearance of the primaeval
woodlands that covered lowland England.
Secondly, Hoskins looks for continuities rather than discontinuities—the
modern village sits, he muses, on the same site at its Celtic predecessor. Both these approaches serve only to
concertina the history of the landscape:
it is both long (in the sense that it extends beyond what is immediately
around us) and short (because it can be encapsulated in the last two
millennia). Where there has been change,
this has been slow and evolutionary (at least before the eighteenth century), a
landscape characterized by stability rather than flux. And it is for these reasons that Hoskins can
claim that a single view can capture landscape history in its totality.
In its way, The Making of the English Landscape is a deeply
political work. Hoskins detested
modernity: the twentieth century had added nothing, he believed, but ugliness
to the English landscape; bureaucrats (by which he meant ‘planners’) were
ruining the countryside; barbed wire and suburban development were defacing the
pastoral scene and atomic bombers were drowning out the song of the skylark. The future was not bright, the past the final
refuge. For the mid-twentieth century
conservation lobby, The Making offered a powerful manifesto.
No wonder, then, that in 1962 (seven years after the publication of The
Making) the Local Authorities (Historic Buildings) Act sought to strengthen
provisions for listing buildings of the type Hoskins celebrated, or that six
years later the Town and Country Planning Act changed listing in favour of
preservation.
Unsurprising too, given Hoskins holistic view of the landscape, that in
1967 the Civic Amenities Act paved the way for the creation of Conservation
Areas where the wider setting of historic buildings and architectural ensembles
began to be recognized as worth of legal protection.
Or to jump a few decades why, in the wake of their destruction, statutory
protection was provided for hedgerows in 1997.
Layer upon layer of legislation has been laid out over the landscape, Hoskins landscape, in the name of heritage protection: the Ancient Monuments and Archaeological Areas Act 1979; the Wildlife and Countryside Act 1981; the National Heritage Act 1983; and after 1990 the infamous planning policy guidance documents PPG15 and 16; and the Countryside and Rights of Way Act 2000.